The intense occured cultural miscegenation in Latin America and the Hinterland in particular can be one of the causes of its subdesenvolvimento, to organize cultural elements many contradictory times is a slow process that not yet can total be carried through. The objectives of this work are: to know the city of Willow in the years 1950-60 through the biography of a trader and its family, the consequence of the occured changes in the society and global economy after the World War II in the place and it influences of its family in the settling sertaneja. To disclose the influence of the ideological constructions in the destination of familiar and in the domination politics of the place. To register memory of people common, (counting to the history of a world peasant that disappeared front to the progress), to analyze the local culture through them and the conflicts of classrooms. To establish comparisons between the conquest of the hinterland and of the Old American West and to investigate indications of aboriginal, black, cigana, moura and Christian the influence cultural new on the analyzed family. The few historiogrficos studies on Willow are placed in two extremities, or analyze the life of the colonels and leaders politicians or the kept out of society communities of the region. Little has been investigated on the masses that inhabited the city. To understand this population is a challenge for the scarcity of documentary registers and conflicts between the versions of the verbal sources, but indispensable to understand the history of the city and if to try future it writes it, for this, it will meet in this work valuable information on daily and the relations of classroom in the period of postwar period, as well as the conquest of the Hinterland. For the curious relatives of the personage and of the past of the place it can be read as a familiar memorial.
At last, all the plans of Policarpo give in nothing. The nationalistic ideal is solapado by a hard reality, marked for the brutality and the necessary environs of the Power. It does not have, in fact, space for a republican feeling. Of the tensions of Brazil of the beginning of century XX until the tensions of Brazil of this century, it has very on which if it can reflect. Barreto rasp in Policarpo very advances this agenda of quarrel and thought.
He is not moored to no saudosismo and it does not foretell no solution. But escancara the reality puts and it to the test in this centennial workmanship and of most important of national literature. It has in the book a well dosed mixture that espelha the then social conservadorismo and the trajectory of a sonhador that tries to remodel it. It did not have luck inasmuch as its fight was quixotic. The victory of Policarpo Quaresma comes much later, qui more in these its 100 years, later that we are capable to see that the situations that Barreto Rasp tried to fix with its cursed irony of and its literary protest still is gifts in this country.
However, we can detach despite the author daily pay-modernista writes Policarpo Quaresma to desconstruir everything what the society saw as value, that finishes if converting into desvalor. Policarpo Quaresma in the attempt is perceived, that to construct this national identity acted of sacralizante form. However, the importance of the book relieved an adaptation for the cinema that happened in the year of 1998, that it contributed still more, to spread out the history that is gives to complete one hundred years of writing. FINAL CONSIDERAES: Policarpo Quaresma is one of the more including ficcionais representations of our social picture, in the first years of the Republic. The romance brings related aspects almost the facts partner - historical occurred twenty years before its publication. The Sad End of Policarpo Quaresma, was considered by the critical representative bigger o of the Brazilian daily pay-modernismo, published in the year of 1911, the romance brings a reflection on nationalism, identity and of as the society is tapeada for that it withholds the power. Barreto rasp, in its book detaches two sides of one same Brazil, of a side, the perfect country to the eyes of its central personage, the other, a real country that desconstrua this idealized perfection.
Indignation and repudiation has spread throughout the country for this reason, the Centre of students of medicine CEM - Trujillo, has issued a statement that identifies with this pain and where to express their strong rejection to the impunity leave this killing unpunished and require security, with entire rightness, an contingency fund, a budget for Bio materials for students who are exposed to be victims of various in the daily contact with patients with infectious diseases communicable diseases without proper protection measures and a plan of protection by the State. As a former President of the CEM-Trujillo, I add me to this outrage and remind them that the great causes that CEM has defended, forging, both in the consolidation of the faculty, are causes that have demanded great days, slaughtered measures of struggle, enormous sacrifices and especially an awareness of the student body about these measures and its close relationship with the organized people represented by various Union institutionsacademic and popular. And as said the young Legionary 20 centuries ago do justice so that the truth might not perish! This fight must do justice, if there is responsible for these should be punished, this fight You must get a contingency fund a budget for these events which affect the student, a young doctor and you must also obtain the young Felix Ugaz Lion, ggsea appointed to the legion of martyrs of the medicine in the Peru..
The meaning of the word image in Latin, imago, in the etimologia of the word assigns the morturia mask taken in the funerals in the antiquity Roman, gift in the origin of the writing, the religions, the art and the cult of deceased. Plato and Aristotle defend the image as being: for some it is deceptive, for others it educates and it deviates from the truth or for the opposite it leads to the knowledge. However it observed that the image does not illustrate nor it reproduces the reality, it reconstructs from a proper language that is produced in data historical context, this wants to say that the use of the image for the historian estimates a series investigations that go very beyond the recognition of visual documents. A primordial function of the image is the pedagogical function with this exalta the intellectual freedom of each individual being a complement more in the reading and the historical and cultural context. In the last few decades, the use of the films and sets of documents in the history lessons practical one propagated between the professors became one, in such a way that the device of DVD and in some cases the Internet of broad band had finished of if becoming indispensable equipment in the history education. We understand the film and the set of documents as a precious source, that exceeds the limit of the entertainment and walks for the understanding of the behaviors, of the vises of world, the values, the identities and the ideologies of a society or a historical moment. The film and cinematographic set of documents is a cultural product of one determined society, express the vision of world of one determined group of people and, as such, it is a document that it needs to be understood as resulted of deliberated intentions, in all the directions of its production and form of circulation.